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Feminine / Masculine

A curated international photography exhibition

May 30 – June 23, 2026 @ PH21 Gallery Barcelona                                 newsletter

Retro fashion
Fleeting Dream
Vamp Barbie
Fractured Hope
Mirror Effect
StrongTide
Gonadalz Pedestalz
Kissin' Couple
Loverz Red
Easter 2026
Girl Poses at Cherry Tree
Dykes on bikes 0004
Dykes on bikes 0006
Dykes on bikes 0015
Cute and They Know It
Girls
Her World
Sants – Holding Together
Sants – As One
Sants – Estic a punt (I Am Ready)
Until Death do us Part  #2
Until Death do us Part  #4
Until Death do us Part  #5
Downtown Early Evening
In the Shadows
Two Couples, One Balcony
Bubble Bath Date Barbie
Ken Rustler Barbie
Aftercare, Self Portrait
Grime, Self Portrait
Remember Me, Self Portrait
Clutching his jacket
Not really my type
A Quiet Hunger
She Holds
At Blackheath
Friends
Identity Bank
An Ongoing Becoming
Intertwined
Energy in Flux 01
Energy in Flux 03
Gender fluid diva 1
Gender fluid diva 2
Gender fluid diva 3
Girlfight
Feminine #2
Feminine #6
Feminine #8
Beauty in all
Prepping
Eyes
Path to the Bridal Chamber
Despair 1
Despair 2
Pieta
Chris's New Hat
Dashiel In Chinatown
Shades of Feminine 2
Shades of Feminine 3
Policia
Presence
Ballerina
Framed Mime
Surface Tension
They-Them 1
They-Them 2
Butterfly
Comet's hair
Veil 1
Veil 2

Click on the thumbnail to view the image. Click on the image for a larger view and information.

 

Portrayals of femininity and masculinity are, without a doubt, central to numerous art forms, with photography being no exception. The past few decades have sparked often heated discussions and criticisms of past, recent, and current photographic practices due to their lack of reflection on the assumptions, stereotypes, and prejudices surrounding approaches to femininity and masculinity. Both fine art and commercial works have been critiqued for the potential consequences of their approach and presentation. Historically, femininity and masculinity have been conceived as oppositions, complements to each other, or positions on a continuum, among other perspectives. There are scarcely any ways of portraying femininity and masculinity that would not be considered trivial, conservative, pretentious, demeaning, distasteful, clichéd, or even offensive by some. It often seems that everything has been said and photographed on this subject; however, it is impossible to ignore the persistence of the theme in our contemporary visual culture. What can we still value and possibly revive from the rich history of photography? Are there any novel ways left to approach this subject with a fresh critical eye?

Curator's choice

Richard Luxton: Retro fashion

Honourable mentions

Pierre Aucher: Fleeting Dream

Nicole Houff: Vamp Barbie

Raheleh Mohammad: Fractured Hope

Exhibiting photographers

Pierre Aucher (Bordeaux, France), Henry Banger Benvenuti (Ft. Myers Beach, FL, USA), Lindsay Brice (New York, NY, USA), Brigitte B Burckhardt (Vevey, Switzerland), Andrea Francolini (Stanmore, NSW, Australia), Janelle Freiman (La Jolla, CA, USA), Susanna Hagström (Stockholm, Sweden), Dave Hanson (Price, UT, USA), Kylo-Patrick Hart (Aledo, TX, USA), Nicole Houff (Minneapolis, MN, USA), Jaclyn Iskow (Detroit, MI, USA), Richard Luxton (Bristol, UK), Lydia McNiff (Normal, IL, USA), Jose Ney Mila Espinosa (Kissimmee, FL, USA), Raheleh Mohammad (Cleveland, OH, USA), Annette Monheim (Barcelona, Spain), Robert Morrissey (Portland, OR, USA), Patrick Mulcahy (Brooklyn, NY, USA), Fern L. Nesson (Cambridge, MA, USA), Dustin Nguyen (Fayetteville, AR, USA), Nancy Oliveri (Toronto, Ontario, Canada), Stelvio Peti (Rome, Italy), Elvira Rajek (Vienna, Austria), Russ Rowland (New York, NY, USA), Zsuzsanna Sárközi (Pázmánd, Hungary), Jonathan Varjabedian (Orlando, FL, USA), Scott Weingarten (Brooklyn, NY, USA), Ron P. Wilder (Tel Aviv, Israel), Ingrid-Nathalie Wizun (Montreuil, France), Elsa Zambrano (Paris, France), Ruidi Zhu (London, UK)

Please click on the names to see contact information (website or e-mail) where available.

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