
Call for Entries newsletter
Upside down @ PH21 Gallery Barcelona
A curated international photography exhibition
February 7 – March 3, 2026
While photographs are valued for their depictive potential and representative content, the non-depictive, non-representational aspects of photographic works are also strongly related to their aesthetic significance. In this spirit, art photography has always aimed for the unity of form and content. Abstract photography has gone even further, celebrating abstract compositions for their own sake, without the need for appreciating or even recognising depictive content in the images. Turning a photograph upside down tends to strip it of its representative function because the depicted scene and objects are difficult, if not impossible, to recognise when the image is turned on its side or upside down. However, the formal, compositional aspects of photographs become more pronounced in this manner, as our attention is directed away from scene and object recognition. In our Upside down exhibition, we aim to showcase photographs that are indeed turned upside down. Any photograph is eligible if the artist is willing to present it in this unconventional way. Abstract photographs might be considered the most suitable candidates for this experimental exhibiting method, but there are many depictive works as well whose compositional qualities might also be appreciated in novel ways when turned upside down. This allows us to liberate ourselves from scrutinizing and concentrating solely on their representational content. Landscapes, bodyscapes, symmetrical compositions, and even architectural and street photography may be excellent candidates for presenting images upside down, but photographs from other genres may also be considered for this exhibition.
PH21 Gallery invites photographers to submit their work for a group exhibition with the theme Upside down. We welcome submissions from all photographers interested in this subject, eager to share their work with a broader international audience through the exposure of PH21 Gallery. The theme is broadly interpreted, as it is independent of generic or stylistic constraints. We are interested in all creative photographic interpretations of this theme.
One curator’s choice and up to three honourable mentions will be announced. The juror’s choice receives three free entries for any upcoming themed group exhibition calls at PH21 Gallery. (Each free entry includes up to 15 images.)
This exhibition will be showcased in PH21 Gallery’s beautiful new venue, situated in the heart of Barcelona’s historic Gothic Quarter.
Curators: Zsolt Bátori and Borbála Jász
Zsolt Bátori is a curator, photographer, photography theorist, philosopher of art, and educator. He is the founder director and curator of PH21 Gallery, providing group and solo exhibitions to photographers internationally for over a decade in PH21 Gallery, Budapest and in cooperation with galleries in Barcelona, Jersey City, and Rome. Zsolt has nurtured the careers of many photographers who received further exhibition and career opportunities after exhibiting at PH21 Gallery. After obtaining his PhD in Philosophy from Rutgers University he has taught and conducted research at universities in Hungary, the USA, Argentina, and Spain, and his own photographic work has been exhibited internationally. Currently, Zsolt serves as a member of the executive committee of the International Association for Aesthetics. He also served as a juror for Photolucida Critical Mass for the years 2023, 2024, and 2025. For Zsolt's website, please click here.
Borbála Jász is a curator, art historian, philosopher of art, and educator. She has served as the vice-director and curator of PH21 Gallery for many years, providing international exhibition and career opportunities for photographers worldwide. Borbála earned her first doctoral degree in Philosophy and Art History from Eötvös Loránd University, Budapest, and is currently pursuing a second PhD in Aesthetics and the Philosophy of Art at the Universitat Autònoma de Barcelona. As an art historian, Borbála is especially perceptive to the cultural and historical context, significance, and interconnectedness of photographic images. She also has first-hand experience with the artistic, legal, and practical aspects of collections, having worked extensively with collectors. Borbála also serves as a juror for Photolucida Critical Mass 2025.
Submission deadlines
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Early bird deadline: December 1, 2025
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Final deadline: December 8, 2025
Notification: All entrants will be notified 10-15 days after the final deadline.
Exhibition dates: February 7 – March 3, 2026
There are two submission options:
A) Standard submission:
Until the early bird deadline:
You may submit 3, 5, 7, 10, or 15 images; these may be all individual works, or they may also include a series of maximum 5 photographs. The entry fee is €25.00 for the first 3 images, €30.00 for 5 images, €35.00 for 7 images, €40.00 for 10 images, and €45.00 for 15 images.
After the early bird deadline:
The entry fee after the early bird deadline is €30.00 for the first 3 images, €35.00 for 5 images, €40.00 for 7 images, €45.00 for 10 images, and €50.00 for 15 images.
B) Special fee:
Until the early bird deadline:
There is a special rate for maximum 5 images for students and unwaged persons as well as for applicants from low-income economies.
The special fee is €15.00.
Please do not ask us about your eligibility or send us any proof because we trust your judgement. The special rate is simply for people who – for the reasons indicated above – would not be able to afford the standard fee.
After the early bird deadline:
The special fee after the early bird deadline is €20.00.
Submission rules and guidelines:
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Please add ph21.gallery@ph21gallery.com and reg@ph21gallery.com to your whitelist, so that our letters are not treated as spam by your e-mail client.
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The entry fee is not refundable.
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This call for entries is competitive; entrants are not guaranteed inclusion in the exhibition by submitting an entry. Depending on the number and the quality of the entries received, the work of an entrant may or may not be curated into the show.
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The selection of the curators is final.
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Please send in the entry fee first (see the payment option at the bottom of the page), and then submit your images by e-mail to