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Significant Colour

A curated international photography exhibition

June 29 – July 23, 2024                                                                        newsletter

Walls
Tokyu Plaza Pinks
Classic Combo
Bumper Cars At Rest
Tonal Variations
Yellow Pole
My Sweeties #1
My Sweeties #2
All the possibilities in this red tent
Antique fire truck
Hanger renovation
Colour Barbie
Colour Escape
Green Priest
Lost In Pink
Parting
Purple Passage
Coming out
White forest
Splatter
Trash Barrel
Leftover Flowers
Prepare for Rain
breasts like water
sinner, you better get ready
Everyone Is Unique
The Race
Forest Floor
Side Saddle
Urban Beast
Blue Brilliance
Ruby Radiance
Going Infrared
Lumination
Virtual – Solitude
Fall pond
Pond
Limitless
The vulcanic lake (1)
The vulcanic lake (2)
Color Blocks II
Shibuya Red
Dreams in clouds of gold
Hot headed woman
Globus
La Sagrada Familia 2021
Corner-Division Street-Portland Oregon
Window-Division Street-Portland Oregon
Antarctica Portal
La Historia Me Absolvera
EXIT
No Exit
Untitled
Untitled
Alternate Dimensions
Out of your Element
Blue Mustang
Hydrangeas and Skull Ring
Tailgate Party
Blue Suite
Hallway in Baghdad
Esplanade Ave Wharf, New Orleans
Upspike
Cool Drinks
Faceless Fashion
Objectification No. 3
Objectification No. 5
Mount Kazbek
Herald Square
Times Square
The Monk by the Ocean 2
The Monk by the Ocean 7

Click on the thumbnail to view the image. Click on the image for a larger view and information.

 

There are two kinds of photographs with respect to the significance of their use of colours. On the one hand, ever since colour film technology became widely available, colour has become the default in most photographic practices. That is, some photographs are in colour not because their colours bear some special significance (compared, for instance, to their possible black and white counterparts) but simply because the available film or digital technology has long made colour the common method of capturing photographic images. We may think of these photographs as colour by default. On the other hand, colours are often central to the meaning of photographs for their emphatic, symbolic, psychological, social, compositional, etc. significance. These photographs would not work in black and white the same way, or they would not work at all. That they are in colour is not merely a technological given; rather, it is an integral, formative, and significant aspect of their photographic meaning. We may think of these photographs as colour by significance.

Curator's choice

Don Kline: Walls

Honourable mentions

Marci Lindsay: Tokyu Plaza Pinks

John Potter: Classic Combo

Allan Syphers: Bumper Cars At Rest

Exhibiting photographers

Marea Atkinson (Adelaide South Australia, Australia), Erwin Boosten (Brussels, Belgium), Kate Brogdon (Stafford, VA, USA), Eva Brunner (Berlin, Germany), Edwin Carungay (San Francisco, CA, USA), Hadley K Conner (Cleveland, OH, USA), Piero Consoli (Rome, Italy), Michael Corthell (Millis, MA, USA), Dorie Dahlberg (Long Branch, NJ, USA), Allison DeBritz (West Sand Lake, NY, USA), Frédéric Deschênes (Montréal, Québec, Canada), Mark A. Dierker (Dubuque, IA, USA), Sari Fried-Fiori (Katy, TX, USA), Yiannis Galanopoulos (Abu Dhabi, UAE), László Gálos (Salgótarján, Hungary), Roger Gottlieb (Port Jervis, NY, USA), Dia Jade (Oil City, PA, USA), Margrieta Jeltema (Bolsena, Italy), Don Kline (Baltimore, MD, USA), Marci Lindsay (Washington, DC, USA), Richard Luxton (Bristol, UK), Heather C Markham (Sun Lakes, AZ, USA), Robert Morrissey (Portland, OR, USA), Paul M. Murray (Jamestown, RI, USA), Fern L. Nesson (Cambridge, MA, USA), Samantha Janel Novak (Richmond, VA, USA), Maria Oliveira (Rancho Palos Verdes, CA, USA), Nancy Oliveri (New York, NY, USA), John Potter (Sherrill, IA, USA), Karen Safer (Playa del Rey, CA, USA), Les Schmidt (New Orleans, LA, USA), Allan Syphers (Gwynedd Valley, PA, USA), Lee Tonks (Los Angeles, CA, USA), Ilya Trofimenko (Dresden, Germany), Xiomaro (Ramsey, NJ, USA), Root Yarden (Upper Galilee, Israel)

Please click on the names to see contact information (website or e-mail) where available.

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